www.pit5.com saves this page so readers can view old news that may not still be availible elsewhere.
This is a saved page of Music: Ryan Adams Didn’t Die. Now the Work Begins.
This is a copy we made of the page on 17-Jun-2007.
The original page may or may not still be availible and pictures and text may have changed since then.
Click Here to view the original page at the original website.


Ryan Adams - Easy Tiger - Music - New York Times Skip to article
Earn 5.05% APY - Open a Complete Savings Acct from E*TRADE Bank

Music

Music

Ryan Adams Didn’t Die. Now the Work Begins.

Mark Abrahams

The singer Ryan Adams in May 2007.

Published: June 17, 2007

ONE afternoon, as Ryan Adams was recording his new album, “Easy Tiger” (Lost Highway), at Electric Lady Studios in Greenwich Village, the singer-songwriter Steve Earle dropped by to visit. Jimi Hendrix had built Electric Lady in the late 1960s, and Mr. Earle pointed out that “there are some good ghosts here.”

Skip to next paragraph
Audio "Wonderwall" (mp3)
Audio "New York, "New York" (mp3)
Mark Abrahams

Ryan Adams in May, has a new album, “Easy Tiger,” which he is touring behind and which features a vocal contribution from Sheryl Crow.

“Yeah,” Mr. Adams blithely responded. “There are the ghosts of about 45 speedballs from when I was recording here a year or two ago,” referring to a mixture of heroin and cocaine.

At once self-deprecating and self-mythologizing, the remark is characteristic of Mr. Adams, who is in the process of shoring up a career — and a life — that he had done his best to blow up. “There was intense loneliness, end-of-the-world stuff going on in my mind, bottomless depression,” he said, describing an extended period of substance abuse that ended a little over a year ago. “Without exaggerating, it is a miracle I did not die.

“I snorted heroin a lot — with coke. I did speedballs every day for years. And took pills. And then drank. And I don’t mean a little bit. I always outdid everybody.”

Among Mr. Adams’s friends, colleagues and fans the hope is that “Easy Tiger,” a title that speaks wryly for itself, will complete his restoration. It is focused — read: not insanely self-indulgent — in a way that recalls albums of his like “Heartbreaker” and “Gold,” high points in a catalog that defines the term checkered. In one among many orchestrated signs of Mr. Adams’s stature, Stephen King wrote the record company bio that will accompany the album’s release on June 26. Mr. King calls it “maybe the best Ryan Adams CD ever.”

The plan is for it to be his biggest seller as well. Mr. Adams is touring to promote it, and “Two,” which features a harmony vocal by Sheryl Crow, has been released as a single. Starbucks will carry “Easy Tiger,” and pre-order campaigns have been set up with iTunes, Amazon and other outlets. For an artist whose notoriety has far exceeded his sales to date, it’s a full-on marketing push.

Mr. Adams has also reunited with his former manager, John Silva, a veteran who has worked with the independent-minded likes of Nirvana, Sonic Youth and the Beastie Boys. ”I just crawled back and said, ‘Look, I made a mistake, many mistakes — I don’t know what to do,’ ” Mr. Adams said.

“I got good advice on what tunes seemed to be working, and how to pace myself,” he said about Mr. Silva’s help in putting together “Easy Tiger” from the dozens of songs he was considering. “He led me to view that process as a type of discipline — like going to the gym or something. Focus. Work on one thing. Make the one thing really good.”

Video

More Video »

Meanwhile Mr. Adams’s contract with Lost Highway is coming to an end, and his erratic and willful ways, while enhancing his status as a cult figure, haven’t exactly made him an industry darling. Nor, for that matter, have his public denunciations of his label, which is generally known for being sympathetic to artists. In that context “Easy Tiger” is a virtual case study of Mr. Adams’s ability to make the sort of record that people once routinely expected of him: smart, accessible, fun, poignant and potentially commercial. It’s an advertisement for the once-unthinkable possibility that, at 32 and sober, Mr. Adams might finally have matured.

Luke Lewis, the chairman of the Nashville division of the Universal Music Group, of which Lost Highway is a part, seemed wistful as he pondered the departure of his old nemesis. “He’s like a kid to me,” Mr. Lewis said. “I’ve always loved him. We’ve had a couple of fights, and we’ve actually contrived a few fights, to be honest. It wasn’t lost on either of us that it’s not a bad thing for him to be the petulant child of a record label.”

So will he try to convince Mr. Adams to stay with Lost Highway? “If you love him, set him free,” Mr. Lewis said with a laugh that suggested a former partner who recalled the bad times as well as the good. “Do I want to stop being friendly with him? Never. Is he a valuable asset to a label? Yes, no question. Did we make money? Yes, both of us. I have no sour grapes about it at all.”

Tips

To find reference information about the words used in this article, double-click on any word, phrase or name. A new window will open with a dictionary definition or encyclopedia entry.

Related Searches

The New York Times Store
MODERN LOVE
MODERN LOVE

 

Inside NYTimes.com

Television »

Books »

TimesSelect

Real Estate »

TimesSelect

Magazine »

Women of a Certain Age Find a Home on TV
Barry: Trudge Toward Record Books
New Homes Confront Old Burial Grounds
When Is a Pain Doctor a Drug Pusher?