
Six Parts Seven Split EP with Black Keys; Draft Modest Mouse, Iron & Wine, Pedro The Lion, Black Heart Procession For Remix LP
Flaming Lips feel so left out
[Posted Tuesday, September 23rd, 2003 05:00:00 Pitchfork Central Time]
For men so devoted to the slow, careful development of sound, Ohio's Six Parts Seven sure like to keep busy. First up is a split EP with fellow Ohioites The Black Keys, which, although Six Parts Seven's role only consists of only one track, promises to offer "a blissful taste of what's to come on their fourth full-length," according to the Suicide Squeeze website. The Black Keys' offerings are slightly more substantial, with three tracks culled from a live recording on WMBR-- one song from each of their full-lengths, and one from an early Alive Records seven-incher. The CD EP came out just last week on Suicide Squeeze. Tracklist:
01 Six Parts Seven: "A Blueprint of Something Never Finished"
02 The Black Keys: "Thickfreakness" [live on WMBR]
03 The Black Keys: "The Moan" [live on WMBR]
04 The Black Keys: "Yearniní" [live on WMBR]
Second on the docket is the November release of Six Parts Seven's (sorta) remix project, also on Suicide Squeeze. Titled Lost Notes From Forgotten Songs, the album consists of tracks from their back catalog, in addition to the new track above, bequeathed to indie luminaries like Isaac Brock of Modest Mouse and David Bazan of Pedro the Lion for vocal additions, massive reworkings, and/or basically whatever the chosen artist wanted to do to them. You can download a taste of the album from the Suicide Squeeze website in the form of the Iron & Wine-overdubbed version of "Sleeping Diagonally." Overly-clever titling concept aside (see below), it bodes well for the project as a whole. In any case, Lost Notes From Forgotten Songs is scheduled for release on November 11th (though Suicide Squeeze has it available for pre-order as we speak). Tracklist:
01 Sleeping Diagonally (re-made by Sam Beam of Iron & Wine)
02 On Marriage (re-defined by Jenn Ghetto & Mat Brooke of Carissa's Weird)
03 From California to Houston, on Lightspeed (re-volutionized by Isaac Brock of Modest Mouse)
04 Song of Impossible Things (re-alized by Will Johnson of Centro-matic)
05 Seems Like Most Everything Used to be Something Else (re-assembled by Pall Jenkins of The Black Heart Procession)
06 Attitudes of Collapse (re-shaped by John Atkins of The Magic Magicians)
07 Now Like Photographs (re-invented by Brian Straw)
08 Cold Things Never Catch Fire (re-vitalized by Katie Eastburn of Young People)
09 A Blueprint of Something Never Finished (re-deemed by David Bazan of Pedro the Lion)
And what do you do once you've released a split EP and a remix album, but you're not quite ready to head into the studio and record your next album? Why, you tour, of course. No, it may not be an original idea, but they're married to it anyway-- those Six Parts Seven t-shirts won't wear themselves, people! They hit most of the U.S. in October and November, and here are the perts:
10-02 Minneapolis, MN - 400 Bar (w/ Centro-matic, Glossary)
10-03 Madison, WI - Toronto Club Corral Room (w/ Centro-matic)
10-04 Chicago, IL - Subterranean (w/ Centro-Matic)
10-05 Hamtramck, MI - Small's (w/ Leaving Rouge)
10-07 Pittsburgh, PA - Club Cafe Live
10-08 Philadelphia, PA - Fire / The Philadelphia Bar and Grille
10-10 New York, NY - Knitting Factory
10-11 Brooklyn, NY - Luxx (w/ The Neal Pollack Invasion)
10-13 Greensboro, NC - Gate City Noise *
10-14 Athens, GA - Caledonia Lounge *
10-15 Atlanta, GA - Echo Lounge
10-16 Tampa, FL - TBA *
10-17 Orlando, FL - Will's Pub *
10-18 Gainesville, FL - Common Grounds
10-19 Baton Rouge, LA - Rotolos (w/ Always the Runner) *
10-20 Houston, TX - Fat Cats *
10-21 Austin, TX - The Carousel Lounge *
10-22 Denton, TX - Rubber Gloves *
10-23 Oklahoma City, OK - The Conservatory *
10-24 Denver, CO - Larimer Lounge (w/ Papa M) *
10-25 Colorado Springs, CO - 32 Bleu *
10-26 Albuquerque, NM - Atomic Cantina *
10-27 Phoenix, AZ - Modified *
10-28 Los Angeles, CA - Silverlake Lounge *
10-29 Goleta, CA - The Hard to Find Showspace *
10-30 San Francisco, CA - Bottom of the Hill *
11-01 Portland, OR - TBA (w/ Other Men My Age) *
11-02 Seattle, WA - Crocodile Cafe
* with Summer Hymns
Apples' Hilarie Sidney Teams with Oranger, Von Hemmling, Palermo Members For New Band
Kathy Griffin in fierce power struggle with Debbie Gibson for control of Secret Square
[Posted Tuesday, September 23rd, 2003 05:00:00 Pitchfork Central Time]
As any Elephant 6 aficionado knows, Apples In Stereo songwriter/vocalist/drummer Hilarie Sidney has suffered somewhat from the John Entwistle syndrome-- no, really, think her "Winter Must Be Cold" to Entwistle's "Boris the Spider." With her contributions usually limited to one or two tracks an album with the Apples, Sidney had been looking for an outlet for her songs, and found it when she met Per Ole Bratset, guitarist for Norwegian band Palermo.
After meeting at an Apples show in Oslo, they began communicating via e-mail and writing songs by sending four-track recordings back and forth. Bratset has since moved to the U.S., and they've spent the last four months recording and playing some initial shows as The High Water Marks. In a phone interview, Sidney elaborated on the new band and her motivations: "I'm just really excited to be doing something new," Sidney told Pitchfork. "Per and I collaborate on pretty much all of the songs, and the whole process just goes really fast. With the Apples, everything seems to take a really long time-- that's just how it works with us-- but I've really been inspired to write more, now that I have an outlet for it. We're recording stuff all the time."
The High Water Marks consist of Sidney on guitar and vocals, Bratset on guitar and vocals, Jim Lindsay (Oranger, Preston School of Industry) on drums, and Mike Snowden (Von Hemmling) on bass. They've already completed their first album, which is currently untitled, with plans to mix and master it with the Apples' Robert Schneider at Pet Sounds (his Lexington, KY home studio) this fall or winter. According to Sidney, The High Water Marks are currently in negotiations for their debut to be released on LA's Eenie Meenie Records, and barring any unforeseen circumstances, it'll be out around March 2004. They're also planning to record several more songs in October for an upcoming EP, and Sidney says they hope to make it out to CMJ next month for some live shows as well. Songs recorded for inclusion on the record include:
Good I Feel Bad
About the Ocean
Slow Hand (No, Not That One)
Five Thousand
Second Time
Feel Everything
High Water Marks
6th of July
National Time
Things to Do
The Leaves
Queen of Verlaine
Suicide
The High Water Marks is not Sidney's first side project-- in 1995, she teamed with friend Lisa Janssen to form Secret Square, whose self-titled debut single and EP were both released on Elephant 6 within a year of being recorded. However, the project proved to be short-lived and Sidney's songwriting continued to grace Apples albums and EP's with memorable tracks like "Silver Chain," "Questions and Answers," "20 Cases Suggestive Of..." and "I Want."
As reported in yesterday's Newswire, Schneider also has a new side project, Ulysses, and plans to issue seven-inch singles from both his own band and The High Water Marks on his new label Optical Records Mfg. in the coming year. The Apples In Stereo, though currently on hiatus and with members split between Denver, CO and Lexington, are also set to reconvene in early 2004 for a possible tour and to record tracks for their fifth full-length (already tentatively titled The Novelty of the Manor, according to unofficial fansite Elephant6.com).
Constantines Extend Fall Tour with Weakerthans, Quasi, Don Caballero
Great White skip the fireworks, go straight for the PCP
[Posted Tuesday, September 23rd, 2003 05:00:00 Pitchfork Central Time]
The Constantines are extending their fall tour right on into November, according to the lads' legal guardians/trust fund custodians at Sub Pop. Specifically, The Constantines will be adding additional North American dates to their ongoing tour (hey, they're from Ontario; you can't blame them for wanting to tour Canada, too). Hopefully this time their drummer will stay away from those damned dirty fences. Don Caballero and Quasi, among others, will be joining them for some of the dates, which should make for some sick double-bills.
Constantines vocalist/guitarist Bryan Webb has been keeping a tour journal online on the group's Sub Pop homepage, with potentially lurid tour details along the lines of "We left Toronto yesterday and drove to The Sault. We couldn't get a show in the Sault, because the last time we were there, Will took some PCP and set off some fireworks in the police station. These things happen."
Or this jewel: "Seattle was a good time. Some Sub Pop executives took us out to dinner before the show and we ate things we had never heard of before. Dallas had the cherry glazed tri-tip with garlic mashed potatoes. The show was all right, but the softness of the Graceland stage made it sound like we were playing with mittens on. We woke up the next day and played an in-store, meeting very nice people and feeling very strange sweating all over the place while people were shopping." Ain't no thang, Bryan-- most people break out in a cold sweat when they see the price stickers in record stores nowadays. Well, the people that aren't cackling with laughter anyway.
Sounds like good times. Hijinks abound. The dates:
09-25 Oklahoma City, OK - Green Door *
09-26 St. Louis, MS - Creepy Crawl *
09-27 Chicago, IL - Bottom Lounge *
09-28 Chicago, IL - Bottom Lounge * Mad Planet *
10-01 Minneapolis, MN - Triple Rock *
10-10 Toronto, Ontario - Horseshoe (w/ Quasi)
10-11 Toronto, Ontario - Horseshoe
10-14 Peterborough, Ontario - Trasheteria
10-15 Kingston, Ontario - Scherzo
10-16 Montreal, Quebec - La Salla Rosa
10-17 Brockville, Ontario - Baptist Church
10-18 Ottawa, Ontario - Kosmic
10-23 Boston, MA - Middle East +
10-24 Philadelphia, PA - Khyber +
10-25 New York, NY - Piano's
10-25 New York, NY - Bowery Ballroom (CMJ showcase)
10-26 Baltimore, MD - Ottobar +
10-29 Atlanta, GA - Echo +
11-02 Cleveland, OH - Grog Shop (w/ Quasi)
11-08 Hamilton, Ontario - Underground
11-13 Guelph, Ontario - Trasheteria (w/ Sour Keys)
11-14 London, Ontario - TBA
11-15 Waterloo, Ontario - Starlight Social Club
* with The Weakerthans
+ with Don Caballero
"Previously Unreleased" R.E.M. Tracks Previously Released
Band appalled to be pushing their greatest hits at the same time as Bush
[Updated Friday, September 26th, 2003 01:00:00 Pitchfork Central Time]
The tracklist for the bonus disc to R.E.M.'s forthcoming In Time best-of collection has been revealed by Swedish retailer CDON.com and mirrored on R.E.M. fansite Murmurs.com. Contrary to early reports that the disc would contain almost completely new music, the 15-track platter is actually a rather disappointing hodgepodge of Warner-era b-sides and live cuts, not to mention what has to be the worst R.E.M. song of all time (worse even than "Tongue"): "It's A Free World, Baby." Other curiousities include William S. Burroughs' surreal vocal on the Automatic For The People cut "Star Me Kitten" (which sounds, oddly, like a heavily sedated Walter Cronkite headlining a Rollins poetry slam circa 1994) and the hard-rocking but lyrically embarassing "Revolution."
Proving once and for all that the tastemakers in charge of dispensing R.E.M.'s back catalog have no taste, actually fun covers of Iggy Pop, Leonard Cohen, Syd Barrett, and Richard Thompson are eschewed here in favor of craptastic tracks that the band gets publishing royalties for. Guess we'll have to wait for the Rhino box set in 2013 to hear some of the really good stuff. Tracklist:
01 Pop Song 89 [acoustic version]
02 Turn You Inside-Out [live, from Tourfilm]
03 Fretless [from Until The End of the World soundtrack]
04 Chance (Dub)
05 It's A Free World Baby [from the Friends soundtrack]
06 Drive [live, from Alternative NRG compilation]
07 Star Me Kitten [William S. Burroughs vocal]
08 Revolution [from the Batman and Robin soundtrack]
09 Leave [alternate version from A Life Less Ordinary soundtrack]
10 Why Not Smile [alternate version]
11 The Lifting [demo]
12 Beat A Drum [demo]
13 2JN
14 The One I Love [live at the Museum of Radio and Television]
15 Country Feedback [live in Wiesbaden, Germany 2003]
As previously reported, the bonus disc will be included in the massive first pressing of In Time, which is due October 28th on Warner Bros.
Teenage Fanclub Retrospective Gets U.S. Release
If only to remind Chris Ott of all the lonesome used-bin copies of "Bandwagonesque"
[Posted Tuesday, September 23rd, 2003 05:00:00 Pitchfork Central Time]
Teenage Fanclub, purveyors of epic Scottish power pop (bet you never thought you'd see all of those words in the same sentence in that particular order) are releasing a career-spanning retrospective, Four Thousand, Seven Hundred and Sixty-Six Seconds: A Short Cut to Teenage Fanclub on Jetset Records, due out on October 7th. The album will include an overview of the band's six-album oeuvre, along with three new tracks, "The World'll Be OK," "Empty Space," and "Did I Say." Tracklist:
01 The Concept
02 Ain't That Enough
03 The World'll Be OK
04 Everything Flows
05 Star Sign
06 Mellow Doubt
07 I Need Direction
08 About You
09 What You Do To Me
10 Empty Space
11 Sparky's Dream
12 I Don't Want Control Of You
13 Hang On
14 Did I Say
15 Don't Look Back
16 Your Love Is The Place Where I Come From
17 Neil Jung
18 Radio
19 Dumb Dumb Dumb
20 Planets
21 My Uptight Life
You will note that we are calling this a retrospective and not a greatest -hits album because, well, Teenage Fanclub haven't really had any hits, as such. In fact, some might say that they're one of the most criminally overlooked bands of our times. Beginning in 1990 with A Catholic Education, the Fanclub proceeded to pick up Big Star's mantle and run with it all the way to lamentable obscurity (although there was a brief flirtation with fame in the UK with Bandwagonesque and its subsequent releases), bouncing from label to label, major and minor, including Matador, Sony, Geffen, Thirsty Ear and Alternative Tentacles, to name but a handful.
Among other things, Teenage Fanclub were notable for the presence of three equally gifted and timesharing singer/songwriters in Norman Blake, Gerard Love and Raymond McGinley. And while there were always more hooks and harmonies than you could shake a stick at, and an accompanying boatload of critical acclaim (Spin magazine called Bandwagonesque "the greatest album made by white people in ten years"), commercial breakthrough just never quite happened. It so never happened, in fact, that as recently as 2002 the band hooked up with Jad Fair and made a really weird album called Words of Wisdom and Hope that we're still scratching our heads about. And it looks like Jetset will also be just a temporary port-of-call, as label representatives tell us that they have no plans for Teenage Fanclub releases beyond this compilation. But there's a special place in rock 'n' roll heaven for the Fanclub, of that you can be sure.
Town and Country Tour Eastern U.S.
Post-rock you like a really slow-moving, metaphorical hurricane
[Posted Tuesday, September 23rd, 2003 05:00:00 Pitchfork Central Time]
According to the official Thrill Jockey website, Chicago post-rockers/ classical revisionists/ cerebrally droning experimenters Town and Country are striking out on tour to enlighten the masses' stagnant asses with their minimal and affectless chamber music. Listening to Town and Country is kind of like reading Derrida; they use music to make high-brow statements about music, the same way Derrida uses language to make high-brow statements about language-- although in both cases the result is often more "interesting" than aesthetically pleasing, more obfuscating than edifying. It's music that's meant to make a statement about music, rather than to rouse an emotional response, which is fine-- theoretically.
Unfortunately, the statement often seems to be that the Town and Country are really, really boring, and should only be listened to by MFA candidates who hate fun and melody... and probably puppies. Frankly, I don't even know how rock comes into the equation here, even the dubious category christened post-rock. Maybe it's rock for people who use air-quotes whenever they say anything that isn't completely abstract and value-neutral, and who can only watch Hollywood films when they tell themselves and anyone within earshot that it's purely for the cultural anthropology aspect.
Town and Country have recently released their fifth record, 5, on Thrill Jockey, and it's yet another platter of meandering acoustic music extemporized around pre-arranged structures, like a jazz combo who are more interested in ephemera and reiteration than in melody and rhythm. The players met in a series of improv sessions with other Chicago cognoscenti such as Jim O'Rourke and Ken Vandermark. Perhaps one day, they'll collaborate with Keith Fullerton Whitman and Stars Of The Lid, coalescing into a somnolent supergroup that will put the world to sleep once and for all. Get your snooze on at any of the following dates:
09-23 Philadelphia, PA - Tritone
09-24 Harrisonburg, VA - Artful Dodger
09-25 Atlanta, GA - Eyedrum (w/ Kopernik)
09-26 Asheville, NC - Vincent's Ear (w/ Ether Bunnies)
09-27 Knoxville, TN - Pilot Light
09-28 Lexington, KY - Mecca
09-29 Newport, KY - Southgate House Parlor
10-23 Chicago, IL - Empty Bottle (record release party)
Apples In Stereo / Elephant 6 Founder Robert Schneider Starts New Band, Label
New outfit Ulysses plot meandering 10-year tour of Mediterranean
[Posted Monday, September 22nd, 2003 04:00:00 Pitchfork Central Time]
Since the unofficial dissolution of the musical leviathan that is (or was) Elephant 6, one thing has become abundantly clear-- it doesn't necessarily mean all that much. All of the principals that founded the damn thing in the first place continue to make very similar music. The worship of Brian Wilson and '60s pastiche pop continues unabated, and bands influenced by, and related to E6, continue to form and develop around the same ethos championed by the original Elephant 6-ers. Such is the case with the latest entrants in the canon-- separate side projects from the Apples' Robert Schneider and Hilarie Sidney. Pitchfork spoke with both Schneider and Sidney about their new bands, the future of the Apples In Stereo, and the (California?) demise of Elephant 6.
With The Apples on temporary hiatus, Schneider is putting his efforts into a new project, Ulysses, as well as launching a label, Optical Records Mfg., with good friend Amanda Burford. Schneider, who relocated to Lexington, KY last year, was impressed by local band Big Fresh and tapped two of its members for his latest project. "Big Fresh is really amazing, and these two kids just seemed like they'd be perfect for Ulysses. John [Ferguson, Ulysses' drummer] is a great singer, and he writes incredible harmonies. I'm kinda singing in a lower register, and John comes up with all these great parts." Ulysses' other member is Ben Fulton, who provides the synthesizers and bass.
Schneider says the focus and sound of the band is significantly different from the Apples. "Without going into it too much, I had just been going through a lot in my life, and a lot of these songs come from that. It kind of forced me to dig deeper, emotionally, and it's really taken my lyrics to a new level." During the conversation, Schneider name-checks influences like The Velvet Underground, My Bloody Valentine (!), The Cars, and Pavement's Crooked Rain, Crooked Rain-- not your typical Apples source material. "I got tired of writing songs with chords, and I was playing around with lots of open tunings, or just a couple of fingers on the guitar at a time, where the other strings ring out and create cool harmonics. The sound is a lot more sad, spacey, droney, and clean [than the Apples]-- it's new wave, basically. I'm trying to do everything differently with this band."
Although Schneider writes the majority of songs for Ulysses, some are collaborative, and Ferguson has also contributed a couple of original songs. The band is concentrating on practicing right now, although they will be playing a few shows in New York to coincide with this October's CMJ festival. Schneider says they intend to track much of the album live-to-tape, possibly with Jason Falkner (Jellyfish, TV Eyes) at his home studio. Schneider hopes to have Ulysses' debut out by spring 2004, though at present he's not sure what label might be releasing it. Some tracks being considered for the album (in no particular order) include:
Evening Star
Silver Flight
Vacant
The Falcon
Frustrated
Burning You
Mission in Moonbeams
Glacier
Her Silver Veil
Seven Seizures
Television
Change
First up, though, will be a seven-inch single on Optical, with the cuts "Push You Away" and "Castles In Spain." Optical, in fact, will concentrate on seven-inchers for the moment: Schneider prefers the DIY aspect, for one thing, and the relative speed and ease of release. "I'm just really excited about starting up, finding cool acts to sign, and getting their music out there," Schneider told Pitchfork. He's also got single releases from Von Hemmling, Palermo, The High Water Marks (Sidney's project, more on that tomorrow), Hair Police, and Oranger in the works.
Of course, that's not the only project on the burner, as Schneider's Marbles moniker continues to provide an outlet for his assorted solo recordings. To somewhat confuse the matter, the next Marbles release will be called Orchestre Fantastique, which had previously been the name under which he had recorded some soundtrack music, and was expected to be the band name for his collaboration with Andy Partridge of XTC. However, according to Schneider, that project is on indefinite hold. "Andy is an amazing songwriter, and we worked really well together, and I had a great time with it. It just seemed like it was taking a really long time, which may have been frustrating to him. We wrote like thirty or thirty-five songs together, incredible songs, and we may come back and finish it, but right now it's just sitting there."
Schneider also elaborated on the status of Elephant 6. "As far as an actual functioning entity, yeah, it's pretty much over. There's just no one putting effort into it, and the logo isn't on any of the newer releases, so officially that's it, but you know, obviously the ethos is still there, the DIY, the home recording, the focus on just making great records. And I think a lot of the bands feel more free to focus on their own stuff that way, and not spread themselves so thin. I was doing so much producing, and playing on other bands' stuff, and I just wondered what would happen if I could focus all that energy and all those ideas on my [own] stuff, and make it that much better." He also confirmed that a final E6 compilation is in the works, but didn't have any further details on a possible release date or the contents.
However, Pet Sounds (Schneider's home studio) is up and functioning in Kentucky, and The Apples are still together and planning for the future, although the remaining members still live in Denver. They're planning to head into the studio in early 2004, possibly following a U.S. tour at the beginning of next year. No decision yet on who they'll record their next album with, or where.
In tomorrow's Newswire we'll be back with complete details on Sidney's new project with members of Palermo, Oranger, and Von Hemmling: The High Water Marks. According to Sidney, their debut album is complete and should be released next spring on Los Angeles-based indie Eenie Meenie. Stay tuned!
Belle and Sebastian Announce Fall U.S. Tour
Traveling under the pseudonym "Rupert Murdoch"
[Posted Monday, September 22nd, 2003 04:00:00 Pitchfork Central Time]
If you're tired of just sitting around the house, knitting, and putting together 10,000-piece Edward Hopper art puzzles, Belle and Sebastian just happen to be packing up their clarinets for a fall tour of the New World. After reading Friday's Pitchfork news story on the release of their new Rough Trade LP, Dear Catastrophe Waitress, the odds-and-ends Jeepster Records Fans Only DVD, the Stop Me If You Think You've Heard This One Before... compilation, and Isobel Campbell's solo debut Amorino, the band's management realized that the precocious Glaswegians had the makings of a killer merch table and that a North American tour was probably in order.
Accordingly, les mademoiselles Belle and monsieures Sebastian have announced on their official website a string of fifteen U.S. and Canadian shows for October and November, with more details to be announced shortly. Noting that the band is taking October 31st off, we formally invite Belle and Sebastian to join the Pitchfork staff for trick-or-treating in the Chicago suburbs. Rumor has it that both B&S editor-in-chief Stuart Murdoch and Pitchfork frontman Ryan Schreiber plan to sport fake mustaches, New York Mets helmets, and high-heeled shoes on the big night. Catfight! Now, without further ado:
10-26 Atlanta, GA - Tabernacle
10-27 Durham, NC - Carolina Theatre
10-28 Washington, D.C. - 9:30 Club
10-30 Chicago, IL - Congress Theatre
11-02 Austin, TX - The Backyard
11-04 Lawrence, KS - Liberty Hall
11-05 St. Louis, MO - The Pageant
11-06 Columbus, OH - Mershon Auditorium
11-07 Detroit, MI - State Theatre
11-08 Toronto, Ontario - Massey Hall
11-10 New York, NY - Town Hall
11-11 New York, NY - Town Hall
11-12 Northampton, MA - Calvin Theatre
11-13 Boston, MA - Orpheum Theatre
11-14 Philadelphia, PA - Tower Theatre
Broken Social Scene, Black Dice, "Galaxie 500" To Play Pop Montreal
Voulez-vous rock avec moi, ce soir?
[Posted Monday, September 22nd, 2003 04:00:00 Pitchfork Central Time]
Nirvana was a relatively unknown British psychedelic-pop band, first appearing in the late 1960's with the science-fiction concept album The Story of Simon Simopath. For the most part, they remained slept-on until 1996 when DJ Shadow included a sample of the non-album cut "Love Suite" in the amazing "Stem/Long Stem" off Endtroducing... That, and the fact that they share their name with one of rock 'n' roll's most popular and important bands. No one could blame Kurt Cobain for the coincidence, and he graciously resolved all potential legal disputes by allowing the re-formed UK Nirvana to include a cover of "Lithium" on their comeback album, Chemistry, royalty-free. Moreover, the original Nirvana happily welcomed renewed interest in their catalog over the past decade as a collateral benefit of the Seattle Nirvana's tremendous fame.
However, it's hard to believe the situation would have been so amicably settled were a fledgling band of today to try and capitalize on the now-ubiquitous moniker. Yes, you may name your child Mr. Mister and may even release an album entitled Chinese Democracy just to piss off Axl (as The Offspring plan to do). However, your band should sincerely reconsider calling itself Mothers of Invention, Pet Shop Boys, The Wailers, or Tina Turner if you ever expect to be taken seriously. Trik Turner, maybe. Otherwise, leave the greats alone.
This is the advice we at Pitchfork have for the Quebecois band Galaxie 500, who will be playing on the second day of the Pop Montreal Festival later this week. Upon receiving the four-day music fest and conference press release, an initial tremor of excitement shot through the whole Newswire staff (strangely enough, the inclusion of a band named Launnie Andersohn didn't have any effect at all). Like most blue-blooded American boys who used his record collection and the doob to score chicks in college, I could barely contain myself at the prospect of a Galaxie 500 reunion, if only to prevent future sonic crimes at the hands of Damon & Naomi. A brief e-mail relay with the coordinators of the event dashed my hopes, though, with the explanation that the Montreal band calling themselves Galaxie 500 had never even heard of the original band when they chose their name. Fucking Loonies.
"Galaxie 500" aside, the Pop Montreal Festival (which runs from September 25th to 28th) boasts a pretty impressive lineup. Broken Social Scene, Shalibi Effect, Buck 65, Stars, Queens of the Stone Age, Tiga, Black Dice, Wolf Eyes, Sloan and Distillers will all perform while Arts and Crafts Records, 2WARS vs. The Grill and Stomp Records will host loft parties. Conference topics include "Artists in a Time of War," "Fame and Responsibility" and "Art as Commerce vs. Art and Commerce." Festival passes which grant access to concerts and events at over twenty locations are available. Here's the complete lineup:
Thursday, September 25th:
Buck 65
Frederic Gary Comeau
Sloan
Ambulance
Superfriendz
Stars
Metric
Washington Social Club
Edward Kas-Pel
Montag
High Dials
Eve Cournoyer
Graph Nobel
Bell Orchestre
Peter Elkas
Steve Shiffman
Les Ogres des Barback
Rude Mechanicals
Friday, September 26th:
Broken Social Scene
Besnard Lakes
The Sharp Things
Sans Pression
Eternia
Warsawpaet
Shades of Culture
Shalabi Effect
Soft Canyon
The Unicorns
The Sailors
The Bamboo Kids
Lisa Gamble
"Galaxie 500"
Les Breastfeeders
L'Attack
Controller. Controller
Pony Da Look
The Spins
Starvin Hungry
Poxy
Perf erf erf
Saturday, September 27th:
Hawksley Workman
The Arcade Fire
Phaser
Bionic<
Le Nombre
Tanglers
Hawaii
Fembots
Mathew Barber
Lady Lustre
No Use For a Name
None More Black
Irish Car Bombs
The Dears
Junior Pantherz
The Sadies
Cuff The Duke
Tiga
Chrome
Evening
Hrd Vsion
Cha Cha Chernobly
Echoe Kitty
Le Karloff Orchestra
Spitfires
Mayflowers
Les Mods
greatlakeswimmers
Sunday, September 28th:
Morning Star
Julie Doiron
Swearing at Motorists
Black Dice
Wolf Eyes
Et Sans
Raised Fist
21st Impact
Queens of the Stone Age
Distillers
Millionaires
The Faunts
Maginot
Milk
Launnie Andersohn
Montrealshowcase
Karen O and Har Mar Superstar Record "Sleazy" New Material
Spectators toss garments onstage in hopes one of them will put on some fucking clothes
[Posted Monday, September 22nd, 2003 04:00:00 Pitchfork Central Time]
Rolling Stone's favorite scenester chick, Karen O of the Yeah Yeah Yeahs, and everybody's personal favorite, non-showering soul man Har Mar Superstar (aka Sean Tillman) have announced plans to enter the studio and record-- insert gasps here-- a "sleazy R&B song," according to New Musical Express. I guess the cover of "(Sittin' On) The Dock Of The Bay" will have to wait. The two are pals from way back, and though they shared billing in England last March, they have little recorded history together.
The Yeah Yeah Yeahs have recently returned from hitting up the English festival circuit and are about to head out in support of Jack White and his two-ring freakshow, The White Stripes. In addition to the tour, Karen hopes to finally record several of the new songs written by herself and guitarist Nick Zinner over the course of the recent tour, including "Down Boy," Rockers to Swallow," and "Ten By Ten." If you can't wait for new YYY's raaawwwwwwwwk (Karen O just puts me in that mood, you know), a new single, "Maps," will be released this week in the UK.
And because I know you've been wondering what soul-brotha Har Mar has been up to, I'm happy to report that after a summer in England and Spain, he'll stay out the country a bit longer for several October dates in Australia. Unfortunately Mr. Tillman will return to the U.S. for November's ATP™ Pacific 2003 festival. If you still yearn for more Har Mar, you have a multitude of websites from which to procure your precious Superstar Nectar, including my personal favorite, www.thefuckingbest.com. You can ponder that while I go chug a bottle of NyQuil.
Indie Comedy Wars: Cross Preps Sub Pop DVD; Drag City Nabs Kightlinger
Jon Stewart torn between Swingin' Pig and Absolutely Kosher
[Posted Monday, September 22nd, 2003 04:00:00 Pitchfork Central Time]
Boys, break out the reefer (yes, Pitchfork condones the use of illicit drugs): everybody's favorite loser, David Cross, has set a November 4th date for his new DVD, Let America Laugh. According to his label, Sub Pop, "Let America Laugh is a video tour diary from David's 2002 tour (the same tour on which his smash-hit comedy album Shut Up, You Fucking Baby! was recorded). Hijinks and hilarity ensue as we follow our hero on the road, encountering family, friends, fans, promoters, interviewers and oh so many others, with the gentle, nurturing brand of humor for which he is internationally known and beloved." This of course, is in addition to the recent DVD double-whammy of the third season of Mr. Show in August and last week's straight-to-video release of the Mr. Show movie, Run Ronnie Run.
Further upping the stakes in the indie-label dash to enter the world of comedy, Drag City has apparently inked Laura Kightlinger for a 2004 release (no tentative date or title just yet). In addition to appearing in, yes, Run Ronnie Run, Kightlinger has also been a cast member of Saturday Night Live, The Daily Show, and Tenacious D's HBO extravaganza. According to her Drag City webpage, she's been an actor, author (the 1995 tome Quick Shots of False Hope), comedian, and show writer. Now, she's a soon-to-be recording artist-- a modern-day renaissance girl. Plus, we're pretty sure this is the first Drag City signing to have also appeared in Daddy Day Care (though we shall never forget Will Oldham's fine performances in both Matewan and the baby-down-the-well docudrama Everybody's Baby: The Rescue of Jessica McClure).
Belle and Sebastian Resequence Album; Plan Single, DVD, Cover Young Marble Giants
RIAA sues chatty catastrophe waitress for sharing T.M.I.
[Posted Friday, September 19th, 2003 06:00:00 Pitchfork Central Time]
Those truly fantastic modern minstrels, Belle and Sebastian, are gettin' crazy with the Cheez Whiz with the fall releases. Obviously, there's Dear Catastrophe Waitress, the first official full-length B&S release since 2000, not counting their excellent but limited soundtrack to Todd Solondz's Storytelling last year. That's still on for October 7th, but with a drastically overhauled tracklisting. Clearly Murdoch wasn't digging the flow. "Roy Walker" and "Piazza, New York Catcher" swap sides (bet you didn't think Piazza would get traded), and the country-rock jangler "(I Believe In) Travellin' Light" is a goner. Updated tracklist:
01 Step Into My Office, Baby
02 Dear Catastrophe Waitress
03 If She Wants Me
04 Piazza, New York Catcher
05 Asleep On A Sunbeam
06 I'm A Cuckoo
07 You Don't Send Me
08 Wrapped Up In Books
09 Lord Anthony
10 If You Find Yourself Caught In Love
11 Roy Walker
12 Stay Loose
Continually serving the fans, the erstwhile Waitress has formally invited all of you to some official album release parties. At the National Pop League in Glasgow on September 26th, frontman Stuart Murdoch himself will be emceeing a prize-packed quiz show. There will also be some album launch parties in London on October 3rd and again in Glasgow on October 5th. Until then, some UK clubs will be throwing their own little shindigs, featuring advance listens to the record and other treats. For more information on all these lover-ly parties, keep checking the band's official site.
Word on the street is that the album's first single, "Step Into My Office, Baby" will be hitting stores via Sanctuary on November 4th. Information is at a crucial low; all we know is that there's two other tracks besides the single, which is already making waves as an exceptionally funny faux-sexist anthem laden with terrible puns and double-entendres. No idea yet on whether the two b-sides will be more album previews or studio outtakes (raise your hand if you vote for "Travellin' Light"), but we'll let you know.
The band has also contributed a cover of Young Marble Giants' "Final Day" to an upcoming 25th anniversary album in tribute of Rough Trade Records entitled Stop Me If You Think You've Heard This One Before.... Released on October 7th in the US (at just under ten bucks) and October 20th in the UK (at a mere five pounds), and featuring other great artists like Adam Green and British Sea Power, it sounds like a steal.
Finally, we have some information for you on the imminent Belle and Sebastian DVD as well. Titled Fans Only, the comprehensive disc promises to be filled to the rim with Brim with "videos, live performances, interviews, out-takes, TV appearances, early documentary footage, exclusive material and behind-the-scenes insights into the evolution of the band." The DVD will be released in the UK October 20th on their ex-label Jeepster Records. Due to rights issues, all the footage will be from the band's time with Jeepster only (If You're Feeling Sinister and onward). Jeepster is "currently negotiating" a U.S. release, possibly through Matador.
Along with the new album, this new information is quite refreshing for those of us who were worried that when Belle and Sebastian lost their Belle, they might lose some steam as well. While we're all glad to see the band moving on, you should also look out for Isobel Campbell's solo album, Amorino. That one will be released through Instinct Records on October 7th in the U.S. and through Snowstorm Records in England on October 27th. According to Campbell's management, Amorino has been in the development stage for three years now, and the final result is the finest in orchestral twee. Campbell herself describes it as influenced by "French girl singers, psychedelia, Jimmy Webb, Antonio Carlos Jobim, The Graduate, Butch Cassidy and the Sundance Kid and of course, the most universal of all themes-- even in these cynical times-- love." Wait a second...Butch Cassidy and the Sundance Kid?!
Do you have a news tip for us? Anything crazy happen at a show you attended recently? Do you have inside info on the bands we cover? Is one of your favorite artists (that's not somebody you know personally) releasing a new record you'd like to see covered? You will remain completely anonymous, unless we are given your express permission to reveal your identity. (Please note that publicists, managers, booking agents, and other artist representatives are generally exempt from this rule, but will also be granted anonymity if requested.)
Thu: 08-17-06: 03:44 PM CDT
Tom Waits Gives the World Orphans
Thu: 08-17-06: 01:35 PM CDT
Man Man Announce Fall Tour
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Browse
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