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Rhett Miller: The Believer (2006): Reviews
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The Believer
by Rhett Miller

Rhett Miller reviews
Critic Score
Metascore: 63 Metascore out of 100
User Score  
8.7 out of 10
based on 13 reviews
Read critic reviews
How did we calculate this?
based on 4 votes
Read user comments
Rate this album

The second solo disc from the Old 97s frontman includes contributions from Rachael Yamagata and Jon Brion.

LABEL: Verve Forecast
RELEASE DATE: 28 February 2006
DISCS: 1 disc
GENRE(S): Alt-Country, Rock, Singer-Songwriter

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91
Village Voice (Consumer Guide)
He thinks he belongs up there in front of that expert new band, singing or shouting whatever banality, profundity, or turn of phrase he's written down, and his level of enthusiasm combined with his level of craft will convince anyone who still likes, you know, songs.
Read Full Review
83
The Onion (A.V. Club)
Given time, though, The Believer blooms.
Read Full Review
80
Billboard
Has less twang but more bang than any of his previous work. [4 Mar 2006]
75
Entertainment Weekly
A few more quirks and blemishes might've made it more memorable. [3 Mar 2006, p.100]
70
Blender
There's a little too much goop here. [Mar 2006, p.113]
70
Rolling Stone
These fluid, unfussy songs don't quite stick in your gut the way the 97's' best stuff does, but give Miller a chance and he can charm you something fierce.
Read Full Review
67
E! Online
Ultimately he fails to make a lasting impression.
Read Full Review
60
The New York Times
While the Los Angeles-based Mr. Miller looks good at the cabaret mike, he's still better when part of a real band. [27 Feb 2006]
59
cokemachineglow
After Drag It Up, their dismal last offering, The Believer is another sign pointing to what may be the wreck of the Old 97s.
Read Full Review
50
PopMatters
Unfortunately, the music gets bogged down with strings and other symptoms of overproduction.
Read Full Review
40
Alternative Press
The sound of an artist losing the qualities that made him unique to begin with. [Apr 2006, p.216]
40
Austin Chronicle
There's no question Miller can wring plenty of twisted emotion out of tender love songs. He's one hell of a songwriter. Problem is that even when working with uber-producers Jon Brion and George Drakoulias, Miller misses his bandmates.
Read Full Review
40
NOW Magazine
Miller's compositions are typically well crafted and slightly artier than what you'd hear on, say, a Josh Groban disc, but this isn't too far off that sort of pouty boy bellowing.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.7 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.

Matt gave it a9:
Less rocky than the last album, and more alt-country - but just as satisfying. Lots of good, basic song structure here.

Steve M gave it a10:
This guy is a master songwriter! It amazes me that he's not bigger than he is in terms of public recognition.

Tom W gave it a9:
This album, like The Instigator is the kind that makes you wish you were a sad, out of love pop singer. Yeah, the songs are safe, but why does an album need to be always need to push some new button, or for that matter, change in sound and content from the last work. These are great songs written by an artist that I hope will continue coming out with solo stuff. I really enjoy the Old 97s, but to be honest, I enjoy fight songs and Satellite Rides more than any of the twangy albums. This is RM's chance to continue where Old 97s left off before they back peddled on their last album (not that I don't enjoy it). Finally, I do believe that Rhett Miller is headed more on the right path to making the perfect pop album than Rivers Cuomo could ever hope. Keep it up!

Presto gave it a7:
If I wasn't an Old 97's completist I don't think I'd even give Rhett Miller's solo stuff much of a chance but this album, which doesn't sound that different from his last one, is pleasant enough not to offend and catchy enough to stick around. I guess I like it but more than anything it just makes me miss the Old 97's and the Rhett Miller who wrote songs like Bel Air and Timebomb.

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