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This is a saved page of by Rhett Miller (metacritic) This is a copy we made of the page on 15-Mar-2006. The original page may or may not still be availible and pictures and text may have changed since then. Click Here to view the original page at the original website. |
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Upcoming Release Calendar
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Aceyalone Stars indicate the most critically-acclaimed albums.
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The Believer
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The second solo disc from the Old 97s frontman includes contributions from Rachael Yamagata and Jon Brion.
| LABEL: | Verve Forecast |
| RELEASE DATE: | 28 February 2006 |
| DISCS: | 1 disc |
| GENRE(S): | Alt-Country, Rock, Singer-Songwriter |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this album is 8.7 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
Matt gave it a9:
Less rocky than the last album, and more alt-country - but just as satisfying. Lots of good, basic song structure here.
Steve M gave it a10:
This guy is a master songwriter! It amazes me that he's not bigger than he is in terms of public recognition.
Tom W gave it a9:
This album, like The Instigator is the kind that makes you wish you were a sad, out of love pop singer. Yeah, the songs are safe, but why does an album need to be always need to push some new button, or for that matter, change in sound and content from the last work. These are great songs written by an artist that I hope will continue coming out with solo stuff. I really enjoy the Old 97s, but to be honest, I enjoy fight songs and Satellite Rides more than any of the twangy albums. This is RM's chance to continue where Old 97s left off before they back peddled on their last album (not that I don't enjoy it). Finally, I do believe that Rhett Miller is headed more on the right path to making the perfect pop album than Rivers Cuomo could ever hope. Keep it up!
Presto gave it a7:
If I wasn't an Old 97's completist I don't think I'd even give Rhett Miller's solo stuff much of a chance but this album, which doesn't sound that different from his last one, is pleasant enough not to offend and catchy enough to stick around. I guess I like it but more than anything it just makes me miss the Old 97's and the Rhett Miller who wrote songs like Bel Air and Timebomb.

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