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Devo Information
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'Devo' (pronounced either DEE-vo or de-VO, sometimes spelled Dev-O) is a Midwestern music band originating from Akron, Ohio, generally associated with the Eighties despite being musically active since 1974. Their style has been variously classified as punk, new wave, industrial and rock, but are most often considered to be the 70s/early 80s New Wave band that ushered in the synth pop of the 1980s, along with other acts such as Gary Numan and the B-52s. Devo's music and stage show mingle kitsch science fiction themes, deadpan surrealist humor, and mordantly satirical social commentary in sometimes-discordant pop songs that often feature unusual synthetic instrumentation and time signatures. Their work has proved hugely influential on subsequent popular music, particularly new wave, alternative and grunge music. Definitive Nineties rock band Nirvana claimed to be influenced by Devo.
History
Devo first performed as the "Sextet Devo" at Kent State University in 1973. Co-founders Gerald Casale, Mark Mothersbaugh, and Bob Lewis were students at Kent State at the time the National Guard shot and killed students at a protest against the U.S. invasion of Cambodia--the 'pivotal moment' in their founding, according to Casale.
The original inspiration for the band's name and underlying philosophy came from Oscar Kiss Maerth's "The Beginning Was the End", a pseudoscientific anthropological thesis which attributes the rise of man as an evolutionary accident caused by a species of sex-crazed, cannibalistic apes who developed tools to exploit each other sexually and feed on each others' brains (See devolution). This metaphor is carried throughout Devo's work as a commentary on modern society.
Only Mark Mothersbaugh, the band's lead singer and synthesizer player, and Gerald V. (Gerry) Casale, the group's bassist have been members of Devo since its inception. The first lineup included Gerald Casale (bass), Mark Mothersbaugh (keyboards), Bob Lewis (lead guitar), Bob Casale (rhythm guitar), Rod Reisman (drums) and Fred Weber (vocals). Later versions of the band added Bob Mothersbaugh (lead guitar) and Jim Mothersbaugh (drums).
Devo's big break came in 1976 when their short film The Truth About De-Evolution won a prize at the Ann Arbor Film Festival; it was then seen by David Bowie and Iggy Pop, who championed them and enabled Devo to secure a recording contract with Warner Brothers Records. By this time Alan Myers had replaced Jim Mothersbaugh as drummer. After David Bowie backed out due to previous commitments, their first album, "Q: Are We Not Men? A: We Are Devo!" was produced by Brian Eno and featured a radical cover of the Rolling Stones' (I Can't Get No) Satisfaction and the controversially titled "Mongoloid". In 1978, Lewis successfully sued the band for theft of intellectual property.
Although they started out with a mixture of traditional rock instruments and electronic effects, during the early 1980s Devo adopted mostly or entirely synthetic instrumentation, becoming one of the first American acts to perform on stage using only synthesizers; they were also one of the first groups in the world to regularly use radio microphones and microphone headsets on stage.
Devo actively embraced the Church of the SubGenius in the early 1980s. In concert, Devo sometimes performed as their own opening act, pretending to be a Christian soft-rock group called "Dove (the Band of Love)". They also recorded "E-Z Listening Muzak" versions of their own songs to play before their concerts. In 1982, they appeared in the Neil Young film "Human Highway."
Devo remained popular in many countries”for instance, they had a large and loyal following in Australia. The nationally broadcast '70s-'80s pop TV Countdown was one of the first programs in the world to broadcast their video clips, and they were given consistent radio support by Sydney-based non-commercial rock station Double Jay (2JJ), which was one of the first rock stations outside America to play their recordings. The late night music programme "Nightmoves" provided a showing of The truth about de-evolution.
Devo went on to produce the albums New Traditionalists (1981), Oh, No! It's Devo (1982), Shout (1984), and Total Devo (1988).
After the release of Smooth Noodle Maps in 1990, the band stopped recording and full scale touring, although it has been revived on several occasions for one-off performances and short tours including those in 1996, 2000, 2004, and 2005. In 2001, members of Devo formed the surf band The Wipeouters, claiming that it was actually a reunion of the first garage band they started while in their early teens.
Mark Mothersbaugh has gone on to considerable success writing and producing music for television programs (starting with Pee Wee's Playhouse and perhaps most famously with Rugrats), video games, cartoons and movies. In 1985, he released an elaborately packaged solo cassette, "Musik for Insomniaks," which was later expanded and released as two CDs. His company, Mutato Muzika, provides employment for Devo guitarists Bob Mothersbaugh and Bob Casale: the former works as a composer, and the latter as a recording engineer. Gerry Casale has directed rock videos by other bands, including Rush and Foo Fighters. Recently they allowed a version of "Whip It" to be used in Swiffer television commercials, a decision they have said they regret.
The band is currently working on a project with Disney known as Devo 2.0. Details are scarce, but it seems that a band of child actors (among them Nathan Norman ) has been assembled and will be either re-recording Devo songs or pretending to play them. A quote from the elucidates, "Also Devo recently finished a new project in cahoots with Disney called Devo 2.0, which features the band playing old songs and two new ones with vocals provided by children. Mothersbaugh doesn't rule out the idea of the band gathering in the studio, eventually, to record a new Devo album."
Style and Influence
Devo is probably as well known for their image as for their music, donning uniforms that mocked industrial culture and pop consumerism, such as the yellow chemical-protection suits during the early Q: Are We Not Men? period, matching Reaganesque plastic hairpieces, masks and the signature "flower pot" hats (energy domes) for Freedom of Choice--which were intended (according to the band) to channel their sexual energy into their voices. Mark Mothersbaugh also donned a baby mask to create his famous alter-ego, Booji Boy (pronounced "Boogie Boy"), said by some to symbolize the infantile regression that Devo saw in American culture. The character featured in many stage performances and video clips, as did Booji Boy's father, General Boy (played by Mothersbaugh's father Robert Mothersbaugh), who satirised American authority figures. For their performance at the 1996 Sundance Festival, they wore black-and-white-striped prisoners' uniforms. In their more recent shows, they have returned to the hazmat outfits and energy domes of their earliest days.
Devo were pioneers of the music video, thanks in part to their frequent early collaborator, director Chuck Statler. The video for "Whip It" became an early staple of MTV, and their many promotional films and video clips are important landmarks in the development of this genre. They also pioneered the use of long-form promotional video cassettes with releases such as The Truth About De-Evolution and The Men Who Make The Music, which mixed self-produced conceptual video clips with live performance footage and mock-documentary segments. Devo created and directed many of their own videos, and the band has cited the video for the song "Beautiful World" as their favorite example of their video work. The video for "Weird Al" Yankovic's Devo tribute song "Dare to be Stupid" consists of elements inspired by, and directly parodying, various Devo videos.
Some hear influences from Krautrock in Devo's music, such as Neu!, Can and the production work of Conny Plank. Other influences are said to include American rock iconoclasts Frank Zappa, Captain Beefheart, and the Residents. Gerald Casale was strongly influenced by American Blues music. Devo were one of the first American groups to use the services of noted British producer, musician and artist Brian Eno, who produced several landmark New Wave music groups including Talking Heads and Ultravox.
In the liner notes of their "Greatest Hits" album, there is a transcript of a late 70's interview in which the band describes their music as "industrial", underscoring the dehumanization (devolution) of their art. (In this context, the term predates the posthumous application of the label to 70's avant-garde noise bands such as "Throbbing Gristle.") Their extensive mechanization of popular music through synthesizers helped to inspire the more modern industrial pop acts of the late 1980s and early 1990s.
Line Up
'Classic line-up'
Devo's line up during their most commercially successful period (1977-1985) (?) was:
*Mark Mothersbaugh: lead vocals, keyboards/synthesizers, occasional guitar
*Gerald (Jerry) Casale: lead vocals, bass guitar, synthesizers
*Robert Mothersbaugh ("Bob 1"): lead guitar, vocals
*Robert Casale ("Bob 2"): rhythm guitar, synthesizers
*Alan Myers: drums
Note: as the group's sound evolved, it became more common for the members to use synthesizers and drum machines over their orignal bass guitar, guitars and acoustic drum kit.
Discography
'Discography:'
*Be Stiff EP (1977)
*Q: Are We Not Men? A: We Are Devo! (1978)
*Duty Now for the Future (1979)
*Freedom of Choice (1980)
*Dev-o Live (1980) (re-released in a expanded, limited (5000 copies) edition by Rhino Handmade in October, 1999)
*New Traditionalists (1981)
*Oh, No! It's Devo (1982)
*Shout (1984)
*E-Z Listening Disc (1987)
*Total Devo (1988)
*Now It Can Be Told: DEVO at the Palace (1989)
*Smooth Noodle Maps (1990)
*DEVO Live: The Mongoloid Years (1992)
*Adventures of the Smart Patrol (1996)
*DEVO Live 1980 (2005) (Dual-Disc Format Release)
'Compilations:'
*Devo's Greatest Hits (1990)
*Devo's Greatest Misses (1990)
*Hardcore Devo 1974-77, Volume 1 (1990) (previously unreleased 4-track demos)
*Hardcore Devo 1974-77, Volume 2 (1991) (previously unreleased 4-track demos)
*Pioneers Who Got Scalped (2000)
*Recombo DNA (2000) - a compilation of music demos and rarities (only available through Rhino Handmade)
*The Essentials (2002) - Features digitally remastered audio
*Whip It and Other Hits (2003)
'As a backup band for others:'
*Hugh Cornwell & Robert Williams: Nosferatu (1979) (Mark Mothersbaugh & Bob Mothersbaugh co-wrote and performed on the track Rhythmic Itch)
*Jermaine Jackson: Let Me Tickle Your Fancy (1982) (backup on title song)
*Toni Basil: Word of Mouth (1983) (backup on covers of Devo's own Space Girls, Be Stiff and Pity You)
*David Byrne: Feelings (1997) (backup on Wicked Little Doll)
*Martini Ranch: Holy Cow (1988) (Bob Casale produced "How Can the Labouring Man Find Time for Self-Culture?" while Mark Mothersbaugh contributed backup vocals.)
'As The Wipeouters:'
*P'Twaaang!!! (2001)
'Mark Mothersbaugh, some solo and soundtrack releases:'
*Musik for Insomniaks, Volumes 1 and 2 (1988)
*Joyeux Mutato (1999), Christmas music (released in two different versions)
*Rushmore (1999)
*The Royal Tenenbaums
*The Rugrats Movie
*Mystery Men
*Music for Edward Gorey, a private release of 300 handmade CD-R discs
*The Life Aquatic with Steve Zissou (2005)
Singles
* 1976 - "Mongoloid" (Booji Boy Label)
* 1977 - "(I Can't Get No) Satisfaction" (Booji Boy Label)
* 1978 - "Be Stiff" (Stiff Records)
* 1978 - "Come Back Jonee"
* 1979 - "The Day My Baby Gave Me a Surprize"
* 1979 - "Secret Agent Man"
* 1979 - "Flimsy Wrap"
* 1980 - "Girl U Want"
* 1980 - "Whip It" (#14 US)
* 1980 - "Gates of Steel"
* 1980 - "Freedom of Choice"
* 1981 - "Through Being Cool"
* 1981 - "Working in a Coalmine" (#43 US)
* 1981 - "Beautiful World" (Picture Disc)
* 1982 - "Jerkin' Back 'n' Forth"
* 1982 - "Peek-a-Boo!"
* 1983 - "That's Good" (Picture Disc)
* 1983 - "Theme from Doctor Detroit"
* 1984 - "Are You Experienced?"
* 1985 - "Here to Go"
* 1985 - "Shout"
* 1988 - "Disco Dancer"
* 1988 - "Baby Doll"
* 1990 - "Post Post-Modern Man"
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